By Mel Y. Chen
Chen's e-book is the 1st to convey the idea that of animacy including queer of colour scholarship, serious animal experiences, and incapacity thought. via analyses of dehumanizing insults, the meanings of queerness, animal protagonists in contemporary Asian/American paintings and movie, the lead in toys panic in 2007, and the social lives of environmental disorder, Animacies illuminates a hierarchical politics infused by way of race, sexuality, and skill. during this groundbreaking publication, Chen rethinks the standards governing business enterprise and receptivity, wellbeing and fitness and toxicity, productiveness and stillness—and demonstrates how cognizance to the affective cost of topic demanding situations common sense orderings of the world.
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Extra resources for Animacies: Biopolitics, Racial Mattering, and Queer Affect
I do not suggest that because something has been shown to be "impure," it must be discarded. My response to Christ begins with some questions: Why would (feminist) women adopt a metaphor of the ideal matron in various masculinist religious cultures as a positive and essential model for being a woman? Why would (feminist) women wish to do this without acknowledging the irony involved? And, because women have done and do all sorts of things, why are images such as weaving and spinning given such central place?
Christ writes vividly of the woven materials that constitute part of her legacy from her grandmothers and mother. She describes lovely mattress covers, hand-stitched quilts, lace doilies, and ribbed sweaters. She recalls curtains and tablecloths created from her mother's sewing machine and teIls of the clothes she herself made and wore. I do not question that these legacies are important and meaningful to her. But I do question the wisdom of using them as the groundwork for building feminist theory, thealogy, or theology.
These Roman-period texts on Penelope provide a set of intertexts for those of us interested in the gender culture of Roman-period religions of Judaism and Christianity. Stories about Penelope should be of significance to those who rely, in explicit or inexplicit ways, on readings of canonical texts that date to this period, such as the N ew Testament or the Mishnah, or who depend on narratives of religious movements with Romanperiod origins. 2 Penelope is the Homeric heroine who by day weaves a shroud for her father-in-law Laertes and by night unweaves the web in order to postpone her anticipated remarriage while she waits for her lost husband Odysseus to return.
Animacies: Biopolitics, Racial Mattering, and Queer Affect by Mel Y. Chen