New PDF release: Alphabets old and new

By Lewis Foreman Day

This can be a generation Of the unique 1910 version.

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Is Lometimes enough to tell whether an early Egyptian manuscript was written with a pen its thick A glance AdBCDEFGGMI KLMNOPPQQR 26. FROM INSCRIPTIONS CUT or with a brush. ABOUT IN STONE. 170O. The Arab penmen, who took great pride in their art, wrote with a wonderfully and got out of the reed forms which brushwork but the neskhi character is as obviously the pen form of writing as the squarer cufic is the monumental. So also we find among the Chinese and Japanese one form of lettering which is characteristically brushwork, and another almost rectangular, which last is clearly the monumental manner.

D. ) — Suggestive MODERN ROMAN CAPITALS AND NUMERALS rather of the chisel than of the pen. Cromar Watt, J. architect. 212. modern roman capitals and lower case — Rather removed from orthodoxy than the 213. modern W. Pearce. & Griffin 214. — Based block " capitals " J. From last. chiefly Roman. C. , Ltd. " serif, J. 215. modern capitals — Inspired by Gothic. 216. " modern roman From further W. Weekes. J. Roman majuscule and W. Weekes. W. J. capitals. " Pearce. Otto Hupp. Frau Bassermann Nachfolger, Munich.

224. roman capitals— By Franz 225. , dating from the 7th Stuck. AMPERZANDS. to the 15th centuries. 226. amperzands — Free renderings of instances dating from the 16th century to the present day. letters , Note. — ET, of which it is may be & and the In the top row traced the connection between the accepted a contraction. Other examples of amperzands occur in illustrations 134, 136, 137, 138, 141, 142, 155, 167, 171, 176, 178, 189, 208,212, 218, 222. NUMERALS. 227. german, cut period; the 228. various 1491 is in 7's — The peculiar form of 4 is of the have, so to speak, fallen forward.

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Alphabets old and new by Lewis Foreman Day

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