By Erik Martiny
A spouse to Poetic Genre brings jointly over forty contributions from prime lecturers to supply severe overviews of poetic genres and their sleek diversifications.
- Covers a wide range of poetic cultural traditions from Britain, eire, North the US, Japan and the Caribbea
- Summarises many genres from their earliest origins to their most up-to-date renderings
- The in simple terms full-length serious assortment to accommodate glossy diversifications of poetic genres
- Contributors contain Bernard O’Donoghue, Stephen Burt, Jahan Ramazani, and plenty of different striking students of poetry and poetics
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Additional info for A companion to poetic genre
1996. 582. Benjamin, W. ” Illuminations. Trans. Harry Zohn. New York: Schocken Books. 1969. 83–109. Bennett, L. Jamaica Labrish. Kingston, Jamaica: Sangster’s Book Stores. 1966. Derrida, J. ” Trans. A. Ronell. Critical Inquiry 7 (1980): 55–81. v. ” Ed. G. B. Le Page. 2nd edn. Kingston, Jamaica: University of West Indies Press. 2002. Fuller, J. H. Auden: A Commentary. Princeton: Princeton University Press. 1988. Heaney, S. Anything Can Happen: A Poem and Essay. Dublin: TownHouse. 2004. R. Toward an Aesthetic of Reception.
Selected Writings. Vol. 2. Ed. W. Jennings, H. Eiland, and G. Smith. Cambridge, MA: Belknap Press; Harvard University Press. 1996. 741–42. Benjamin, W. ” Trans. R. Livingstone. Selected Writings. Vol. 2. Ed. W. 16 Jahan Ramazani Jennings, H. Eiland, and G. Smith. Cambridge, MA: Belknap Press; Harvard University Press. 1996. 582. Benjamin, W. ” Illuminations. Trans. Harry Zohn. New York: Schocken Books. 1969. 83–109. Bennett, L. Jamaica Labrish. Kingston, Jamaica: Sangster’s Book Stores. 1966. Derrida, J.
The extraliterary discourses and speech genres that poetry draws on and yet distinguishes itself from are many, ranging from post it notes and text messages to public oratory and ritual incantations. The news is but one of these other genres, if an especially pressing other under modernity, when the media’s assumptions about time, information, language, nation, and representation are everywhere—assumptions that, as we have seen, poets often contest. Not that poetry is pristinely uncontaminated by the news.
A companion to poetic genre by Erik Martiny